It’s been a long road

IMG_7330(My daughter at Devil’s Lake State Park)

It’s been a long road.

I’ve spent the last two years feeling like I’m running a marathon, nearing the finish line, only to have it moved farther and farther away. Of course, I’m only racing against myself. But feeling like I’m perpetually so close makes it hard to stop pushing . I started working on this novel in November of 2011, set it aside, then dug it up again after moving to Singapore in 2013. It’s been completely re-written several times, based on feedback from critique partners and my agent. On my computer, literally dozens of different saved versions exist. My document of “cut stuff” is twice as long as the manuscript itself.

It’s been daunting and frustrating at times. It seemed impossible. I wanted to give up, doubted my capacity as a writer. Doubted my ability to find my way through.

IMG_5297(My daughter hiking in the Canadian Rockies)

But my writer friends believed in me, which helped me believe in myself.

Now I’m thrilled to say, after filling entire notebooks with revision planning and brainstorming around feedback… After almost completely re-writing one of the two POV story lines (yet again)… After four rounds of feedback from both new and old critique partners, with comprehensive revisions in between… After seven months of late nights and very early mornings…. And lots and lots of this:

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(A flat white, my favorite coffee drink)

Now I can say that I’ve finally crossed the finish line for this shiny new version of my novel and sent it to my agent. I’ve been working on it so long now that I can’t objectively say if it’s ready to go on submission, but I am so proud of what it’s become.

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(My celebratory cupcake with ridiculous quantities of frosting)

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How to (hopefully) cut 10,000 words

I’ve finished the fourth draft of my WIP, Hooligans in Shining Armour. Fourth draft of the third version written over nearly three years, to be clear. And… I’m about 10,000 words over where I’d like to be.

airplane panic

Yeah.

I’ve also been waging a war on the rather large gardens around my new house, which have been neglected the entire season because baby and work and writing. As I was yanking out another five-foot-tall thistle, it dawned on me. Kind of a perfect simile for my next editing adventure, the weed jungle hiding the beauty underneath. When I started weeding, I wasn’t even sure which were weeds. After some digging (and finding evidence of previously-chopped weeds), internet searching, and consulting with my neighbor, the master gardener, I feel fairly confident I’ve got it mostly figured out. Here’s a pre sample of my gardening adventure.

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So…cutting those 10,000 words. I have a multi-pronged plan of attack, as I did with weeding. I’m going to take a step back, be objective, and ask myself some hard questions. In the end, hopefully I’ll have a more focused, streamlined manuscript where every line has a purpose: to advance plot and/or characterization. It will likely require the killing of several darlings. The good news is, not only will weeding your WIP help with word count, it will help with oh-so-essential pacing as well. I usually look first for scenes and big picture things to cut, then go line by line.

Before I get to work on major WIP weeding, I always save a new version of the document and create another document to save everything I cut, in case I decide later that, yeah, it actually was necessary.

Here’s my plan. 

Step 1: Stop freaking out. It IS possible.

Step 2: THINK THROUGH the main plot and subplots. Ask yourself how subplots are progressing the main plot or driving essential character development. If they are not, consider cutting.  I created a color-coded diagram of both the main plots and subplots for both MCs. This helped me to distance myself and think objectively, as well as see new connections between plot and characters.  

Step 3: List out all the characters and their roles. Ask yourself, what role does each serve for the MC? Are there any characters that duplicate the same role and can be cut?

Step 4: With each scene, potentially with each paragraph, ask yourself, “is it nice or is it necessary?” I’m going to have to ask myself this a lot. I have plenty of scenes that brim with conflict or humor, or both. Are they nice to have and enjoyable for the reader? Probably. But are they serving a unique, essential role in progressing the main plot and/or character development? Are there other scenes that get the same job done? If the answer is yes, then it is just nice to have, not necessary. Start cutting.

Step 5: Now start from the top. Go line by line. Does the reader need all the setting descriptions to picture the scene? Do they need all the body language? Dialogue tags? Or is some of it just nice to have. In dialogue, every line should advance plot or character. If it doesn’t, it’s just nice to have. Cut it. Look for places where you can write more succinctly. Trim the fat. Pull the weeds. Cut any line, any word, that is not essential to establishing new setting, advancing plot or developing character. It’s amazing how much this adds up. Cutting even one hundred words per chapter will add up to thousands.

Step 6: Admire all your hard work, then take some time away from it. Read through your MS again to make sure it still flows and makes sense. Personally, I try to get this read through done relatively quickly to ensure everything flows and connects, which I can lose a sense of if it’s spread out over too many days or sittings.

Step 7: Send to your beta readers.

Oh, and here’s my garden post picture.

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Wish me luck and objectivity! Happy writing.