Writing: Go slow to go fast

Better to go slow 4

(Inis Mor, Aran Islands, Ireland, taken on our recent vacation)

This quote, or quotes similar, are used all over the place: the corporate world, leadership trainings, education, technology, etc. Apparently the founder of the Roman Empire even said “Festina Lente.”  “Make haste, slowly.” A reminder to himself to perform duties with a balance of diligence and urgency.

Oh, and Aesop’s fables. I’m sure you’ve heard of the Tortoise and the Hare.

(retrieved from

The same philosophy should be applied to writing your novel. Not on the first draft per say, that’s just exploratory, but rather when you get feedback from critique partners, editors, or your agent on your book baby. When you’re working trying to sculpt that probable hot mess of a first draft into something beautiful.

For me personally, I just got some unexpected developmental feedback while in the throes of trying to cut 10,000 words of what I thought was nearly a final draft. By the way, I had cut over 5,000 without even finishing the read-through; pretty much all unnecessary prepositional phrases, dialogue, description. And when I say final draft, I mean I thought for real this time, not like the last four times …

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My agent is right. She called out some things my subconscious was quietly nagging me about. But now, I’m not quite back to square one, but I have to take a step back and look at plot … again.

It’s frustrating, but this feedback will push my WIP to be even better. And as much as I want to be done a year ago, I need to take time to breathe, process, think it through, rather than rushing to… Get. It. Done.

I need to free write on her main suggestions, let my brain go crazy processing the ideas, blocking out a scene, writing bits of dialogue, seeing through different characters’ eyes. Then pull the good stuff from that, new potential plot points, and throw them on some sticky notes to make them concrete and, well, movable. Next, I need to toy around with those ideas, expand or change existing scenes or write entirely new scenes.  See what happens. Then I need to consult with trusted crit partners and my agent to see if I’m going in the right direction. Or they might have genius ideas.

As much as I want to just be done, I need to take time and space to make sure I do it right. Because writing in the wrong direction just to get it done, only hurts that beautiful thing you’re trying to sculpt. Been there, done that more than once.

Whether you self-publish or attempt the traditional route, you only get one shot to put that book baby out into the world. Well, in traditional route, you get one shot with each agent (or perhaps, if you’re lucky, a Revise & Resubmit) then if you get an agent, you likely get one shot with each publishing house. So that baby needs to be as sparkly and shiny and perfect as possible.

So grab a coffee or a beer ….

Or both 😛

And go slow to go fast. Take the time to do it right, whether it’s line edits, processing and applying developmental feedback, or even plotting before you embark on your book baby-venture.

Take the time to sculpt your book baby into the most beautiful creation it can be.

Happy writing!

How to (hopefully) cut 10,000 words

I’ve finished the fourth draft of my WIP, Hooligans in Shining Armour. Fourth draft of the third version written over nearly three years, to be clear. And… I’m about 10,000 words over where I’d like to be.

airplane panic

Yeah.

I’ve also been waging a war on the rather large gardens around my new house, which have been neglected the entire season because baby and work and writing. As I was yanking out another five-foot-tall thistle, it dawned on me. Kind of a perfect simile for my next editing adventure, the weed jungle hiding the beauty underneath. When I started weeding, I wasn’t even sure which were weeds. After some digging (and finding evidence of previously-chopped weeds), internet searching, and consulting with my neighbor, the master gardener, I feel fairly confident I’ve got it mostly figured out. Here’s a pre sample of my gardening adventure.

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So…cutting those 10,000 words. I have a multi-pronged plan of attack, as I did with weeding. I’m going to take a step back, be objective, and ask myself some hard questions. In the end, hopefully I’ll have a more focused, streamlined manuscript where every line has a purpose: to advance plot and/or characterization. It will likely require the killing of several darlings. The good news is, not only will weeding your WIP help with word count, it will help with oh-so-essential pacing as well. I usually look first for scenes and big picture things to cut, then go line by line.

Before I get to work on major WIP weeding, I always save a new version of the document and create another document to save everything I cut, in case I decide later that, yeah, it actually was necessary.

Here’s my plan. 

Step 1: Stop freaking out. It IS possible.

Step 2: THINK THROUGH the main plot and subplots. Ask yourself how subplots are progressing the main plot or driving essential character development. If they are not, consider cutting.  I created a color-coded diagram of both the main plots and subplots for both MCs. This helped me to distance myself and think objectively, as well as see new connections between plot and characters.  

Step 3: List out all the characters and their roles. Ask yourself, what role does each serve for the MC? Are there any characters that duplicate the same role and can be cut?

Step 4: With each scene, potentially with each paragraph, ask yourself, “is it nice or is it necessary?” I’m going to have to ask myself this a lot. I have plenty of scenes that brim with conflict or humor, or both. Are they nice to have and enjoyable for the reader? Probably. But are they serving a unique, essential role in progressing the main plot and/or character development? Are there other scenes that get the same job done? If the answer is yes, then it is just nice to have, not necessary. Start cutting.

Step 5: Now start from the top. Go line by line. Does the reader need all the setting descriptions to picture the scene? Do they need all the body language? Dialogue tags? Or is some of it just nice to have. In dialogue, every line should advance plot or character. If it doesn’t, it’s just nice to have. Cut it. Look for places where you can write more succinctly. Trim the fat. Pull the weeds. Cut any line, any word, that is not essential to establishing new setting, advancing plot or developing character. It’s amazing how much this adds up. Cutting even one hundred words per chapter will add up to thousands.

Step 6: Admire all your hard work, then take some time away from it. Read through your MS again to make sure it still flows and makes sense. Personally, I try to get this read through done relatively quickly to ensure everything flows and connects, which I can lose a sense of if it’s spread out over too many days or sittings.

Step 7: Send to your beta readers.

Oh, and here’s my garden post picture.

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Wish me luck and objectivity! Happy writing.